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  • COPY is a systematic type family, tightly designed for text ­setting whereas every font meets the same spacing. The design system allows the replacement of any font within the font family, thoroughly ­keeping the ­dimensions of the text.
    By following the concept of same ­tracking, the design of the thin cut tends ­towards wide whereas the fat cut tends towards ­condensed. The roundness of the outer line ­increases from thin to fat cut. Designer: Philipp Herrmann

Copy
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  • Quick is a set of two fluid handwriting typefaces: Quick Marker which is based on left hand wrtiting using a Molotow 455 TF whereas the tool creates fixed stroke widths. And Quick Brush which imitates the characteristics of a brush with its variable stroke widths. The DNA of both cuts is influenced by sign painting and pixação. Open Type Features are: Stylistic Alternates, Ligatures, Contextual Alternates and Fractions. Together with Kerning these provide fluid typesetting. Designer: Philipp Herrmann

Quick Marker + Brush 
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  • Erwin Poell, a designer from Heidelberg, Germany designed Poell Outline, Black and Shaded in 1972 based on a strict grid system. Crack is a modern interpretation in the year 2011. The overlapping of elements is applied in a more consistent manner and thereby taken to the extremes. The design itself is modernized by making the letters more roundish. For a clearer display in small point sizes, the rounded counters are slightly expanded. Humor finds its way in type design. Designer: Philipp Herrmann with Felice Gübeli.

Crack Headline
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  • Hammer was originally drawn as a corporate typeface for photoeditor Monica Pozzi and is inspired by the headlinefont “Block” from 1908. To get rid of the geometric, art- nouveau-style the glyphs were redesigned in a more humanistic manner. Later on highlights were added to the letters to create a font that looks as heavy and glossy as a freshly baked donut. (Character Set: Basic Latin 1) Designer: Hammer

Hammer Bold + Highlight
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  • Fleurie Regular + Bold designed by FLAG in collaboration with Aurèle Sack in 2009. FLAG is a graphic design studio established in 2002 by Bastien Aubry (*1974) and Dimitri Broquard (*1969) in Zurich, Switzerland. Since then FLAG is working essentially for art and cultural projects such as catalogues, artists books, magazines and posters. (Fleurie Charachter Set: Basic Latin1) 

Fleurie Regular + Bold
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  • Plakat Grotesk is based on unnamed woodtype letters found at Kunstgewerbeschule Zürich. The woodtype letters exist in large size only for use on posters. It has some similarities to Plak by Paul Renner. But its design is more compact and reveals more variations of stroke widths. (Character Set: Basic Latin1 + Stylistic Alternates) Designer: Philipp Herrmann

Plakat Grotesk 
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  • Type Specimen Poster. Bookprinted in a limited edition of 150 copies at babyinktwice. (62 x 88 cm) Available for CHF 60.— including postage and packacking (unfolded in cardboard roll).
    Please order by mail.

Crack Specimen. Order by mail

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  • The Type Reference Book for the Graphic Professional is a compendium of more than 600 free font specimen compiled by Fontseek & Hammer. All fonts are free for download at 1001freefonts, acidfonts, dafont, fontspace and urbanfonts. 614 pages, size DIN A4, print on demand in black and white at lulu.

The Free Font Compendium

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Figures designed for a watch face

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  • RdM is a collection for “youthfull, cosmopolitan and creative girls. It is made up of more separates, which the RdM girl can easily incorporate in her particular style”.

Design for a Fashion Label

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